Featured Content

Searching by Proximity

WEME is exploring a number of ways of searching the corpus of witch texts. Uszkalo worked with Amit Kumar (UIUC) to produce the tool, and Peter White (Early English Books Online) and Aaron McCollough (Text Creation Project) to acquire the texts, to produce Searching Witches, a resource which allows users to key word search and proximity search a corpus of witchcraft texts. Authorized users can also follow links back to full texts found within EEBO and TCP.

Mapping Witches in England

The WEME Witchmap beyond the defining, tracing, searching, and complying which James IV, Joseph Glanville, and Matthew Hopkins did to find witches. It give voices to research subjects by providing new, sympathetic, and critical analyses of the role of witchcraft in Early Modern England. To achieve this, witches' information is placed within a relational database, which contains information including biographical, temporal data, and geospatial data. Each witch is mapped to a given parish...

New Navigation

Thanks to Seyed Mir Taheri and Darren James Harkness, we now have new navigation to help users better define thier search perameters. Althought the seach box will provide many users the most intuative way to interact with the data, these search fields will allow users a directed drill down approach.

Imagining Familiars

Our familiar is named Froggy; you may recognize him from his home left of here, underneath the navigation bar. He is a merging of the image of Mother Dutten’s toad familiar and Joan Upney’s familiar toads in The Apprehension and Confession of Three Notorious Witches (1589). Joan Upney was accused of witchcraft, and under examination, admitted to having a series of sickly and runaway familiars. Her final two toads died when, having heard the witch-hunters were coming for her...

Kirsten C. Uszkalo Simon Fraser University selected as a finalist in the Nebraska Digital Workshop

Kirsten C. Uszkalo, Adjunct Assistant Professor in the Department of English, Simon Fraser University, has been selected as a finalist in the sixth annual Nebraska Digital Workshop, sponsored by the Center for Digital Research in the Humanities (CDRH) at the University of Nebraska–Lincoln.  Her topic is titled: The Witches of Early Modern England (WEME) Project


The Witches in Early Modern England project, led by Kirsten C. Uszkalo, designs and deploys strategically intersecting, innovative, and experimental digital tools to allow for robust searching and pattern finding within the corpus of texts relating to early modern witchcraft. Beyond that, its open-ended platform encourages further expansion by users, to push the limits of how digital technologies can enhance and inspire the academic interrogation of existing corpora.

WEME is a digital exploration of the nano-histories: a way to study the history of early English witching. Using WEME’s resources, you can use a time line, map, search box, or filter to explore almost three thousand individual multi-dimensional nano-histories of and align them, using digital technologies, to create a composite of the true and terrible stories of the early English witches.

Part reading / part seeing, WEME uses the metaphor or a stack of cards to magnify individual experiences. You can hover over the card stacks to see the content, click on the one you want, and click on the cards to see the information in the nano-history there – a mini-biography of the witch, a biography of her familiar, the event she was involved in, who else was there, what law was in effect, where the event happen, and what text it is recorded in – all you need to know to see if this moment of witching is relevant to your study. If you would like to keep the nano-history, drag the card into the basket and email it to yourself.

WEME traces the ‘real’ events, people, and preternatural beings recorded in printed witch-texts, medical manuals, and legal archives, and represents them as cells within the arterial witch-beliefs that stream rapidly and organically through the text, the body, and the land.

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All site content copyright © Uszkalo except where noted. Images courtesy of the Wellcome Collection.